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George Barr
343 Ontario Drive
Livermore, CA 94550
(510) 373-6764
The biographical facts about George Barr, one of the greatest artists to enter the fields of science fiction
and fantasy, are relatively simple. He was born in Tucson, Arizona, but raised in Salt Lake City, Utah,
where he attended elementary, junior high school, high school, and spent eighteen months in a
commercial art school. He became a professional illustrator in 1961, moved to Los Angeles in 1968, to
San Jose in 1972, and then to Livermore in 1996, where he lives to the present time in a modest home in a
relatively quiet neighborhood.
As with several other well-known illustrators, George Barr began his career in the sf/fantasy fields by
doing illustrations for fanzines. His first piece of professional work was done for the March, 1961, issue
of FANTASTIC and which, for those with discriminating eyes, marked him as an artist to watch for. He
was soon working steadily in the field, getting commissions for both cover and interior artwork. The long
list of magazines for which he did illustrations include AMAZING, DRAGON Magazine, DUNGEON,
GALAXY, IF, ISAAC ASIMOV'S Science Fiction Magazine, ISAAC ASIMOV'S Science Fiction
Adventure Magazine, FORGOTTEN FANTASY, WEIRD TALES, and MARION ZIMMER
BRADLEY'S FANTASY Magazine. He's done book covers for such publishers as Ace Books, DAW
Books, Donald M. Grant, Pulphouse Publishing, Owlswick Press, Cheap Street, Arbor House, Alyson
Press, and many others.
George Barr is perhaps one of the most creative and flexible artists working in the field today. Besides
doing cover and interior art for books and magazines, he has also produced art for game books and covers
for computer games. Among the former are KNIGHT OF THE LIVING DEAD, THE KINGDOM OF
SORCERY, THE WRATH OF OLYMPUS, THE DUNGEON MASTER'S Design Kit, DRAGON
LANCE Adventures, and QUEEN OF THE SPIDERS. Among the latter are STAR CONTROL I (from
Accolade, and one of the hits of the past several years), ARCHON ULTRA, and JORUNNE.
And George has done other interesting work as well. One of his more famous paintings was the poster for
the cult movie, FLESH GORDON, which he did primarily to support the work of his friends in the special
effects department. At another time, he did the makeup for the "space hippies" in the Star Trek episode,
"The Way to Eden" (he was not particularly pleased with that episode, which makes him not at all
unusual). He is also an excellent sculptor, although he does not do it nearly often enough.
All artists are influenced by other artists, parts of whose styles often show up in their work. George's
often delicate artwork is influenced by "everything I see and like," but especially by his appreciation for
the works of Arthur Rackham, Maxfield Parrish, Edmond Dulac, Howard Pyle, N.C. Wyeth, and Hannes
Bok as well as "innumerable comic book illustrators and newspaper cartoonists." Rackham and Parrish
are the central influences; Rackham for his feel for line, Parrish for his expressive use of color.
He has been nominated five times for the Hugo Award for Best Fan Artist and won the award in 1968. He
was nominated once for Best Professional Artist, and was the winner of a Lensman Award, an award
which is voted on by his professional peers.